SUPERFICIE I. Edición e impresión a cargo de Giovanni Troconi

Price: $575.00


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Place Published: México, D.F
Publisher: Troconi-Letayf
Date Published:
Size: 11 x 16 cm. (box)
Book Id: 109771

Description

20 color photograps (8 x 12 cm.), typed-in cotton paper cards (10 x 15 cm.), plus 1 sig. certificate of authenticity, all inside metallic box, in color pict. slipcase

Comments

LIMITED, SIGNED AND NUMBER EDITION 1/15. Includes a certificate of authenticity signed by artist Alex Dorfsman (Mexico City, 1977). "Contenido: 20 fotografías. Impresión Digital (archive quality digital print). Impresas sobre papel Torchon 100% algodón de Hahnemühle y tintas de archivo." The work of Alex Dorfsman (Mexico, 1977) has addressed the problem of landscape constantly. We would say that all his work is part of the landscape genre, but even more, Dorfsman persistently reflects on the uses and meanings of this genre in our current culture. Is the landscape necessarily the other of the individual? Can the individual inhabit a landscape, or should their relationship always be reduced to contemplation? Is the landscape and the individual confronted as nature and culture? Is the landscape seen only a vestige of the illusion of a different world? These are some of the questions that the artist poses systematically, highlighting that the landscape emerges as "a visual moment" (1) before the gaze of the individual, who projects his subjectivity towards the seen..."(Ady Carrión Parga). In "Superficie" are the fantastical constructs of dioramas, theme parks, and science fiction films, among others, make a good case for how easy it is for us to accept credible substitutions of reality. In a similar vein, advertising images, either in large-scale format or as audiovisual sequences, feed our imaginations with fictitious constructs of artificial realities. Our perception and acceptance of these constructs may well be involuntary, but it is undoubtedly effective. An awareness of the advertising images that surround us has become the focus of my photographic inquiries. I have found that it's my will to closely observe these street tableaux that generates the layering of images, artificial and real, which support my visual discourse.The structures that support the fictitious worlds created by these advertising images, their architectural insertions, give them a meaning well beyond their original, banal promotional purposes. A complex, richly layered dimensionality disrupts the fictional advertising contexts, creating a new, much more interesting reality of intersecting constructs; a veritable fusion of two- and three-dimensional planes." Alex Dorfsman (Ciudad de México, 1977) vive y trabaja en la Ciudad de México. Realizó la licenciatura en Artes Plásticas en la Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda", Ciudad de México. Ha realizado exposiciones individuales y participado en varias exposiciones colectivas en México y en el extranjero. Es miembro del Sistema Nacional de Creadores del FONCA. Obtuvo la beca Programa de Fomento a Proyectos y Coinversiones Culturales del FONCA, 2007-2008. Fue becario del programa Jóvenes Creadores del FONCA, generación 2005-2006. Recibió el Premio de Fotografía Latinoamericana Purificación García, 2011. Ha realizado las siguientes publicaciones: Amidakuji, Ediciones Acapulco, Ciudad de México, 2015. 3 pausas rumbo a Nikko, Editorial RM, Ciudad de México/Barcelona, 2014. This mountain collapsed and became a bridge, Editorial RM, Ciudad de México/ Barcelona 2012. Plot your progress, Casa Vecina, Ciudad de México 2012. Selección Natural, Editorial RM, Ciudad de México/Barcelona 2008. It's almost real, isn't it? Editorial Diamantina, Ciudad de México 2006. Fue co editor del libro La Panadería 1994-2002, Ciudad de México, Turner, 2004. Su trabajo forma parte de colecciones públicas y privadas como el MAM (Ciudad de México), Centro de la Imagen (Ciudad de México), Museo de Arte Carrillo Gil (Ciudad de México), MARCO (Monterrey), Fundación Televisa, Purificación García (España), Museum of Photographic Arts, MOPA (San Diego), Art Museum of the Americas (Washington D.C.), Alumnos 47 (Ciudad de México)



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