Ferrera-Balanquet, Raúl Moarquech

AESTESIS DECOLONIAL TRANSMODERNA LATINX_MX: [ENSAYO-CRÓNICA-CRÍTICA-MEMORIA-BIOGRAFÍA-TRATADO]

Mérida, México: Instituto Kanankil; Laboratorio Cartodigital, 2019. b/w and color plates, bibliographical references (pages 239-248), color pict. wrps. Item #114841
ISBN: 9786079706326

"... la investigación reflejada en este manuscrito se basa en la decolonialidad transfronteriza y el periodo enmarcado entre 1987 y 2019"--Page 7. The project integrates the work and personal experience in order to weave the original cultural memories, immigrants and those displaced by irregular emigration in the transnational cross-border territory imagined of the diaspora MeXicanx_Latinx, which is the other history of the arts in a territory that Américo Paredes called the Greater Mexico. Author Raúl Ferrera-Balanquet is an interdisciplinary artist, writer, curator, Fulbright scholar, and community activist born in Havana, Cuba. Ferrera-Balanquet holds a PhD from Duke University and an MFA from the University of Iowa. A founder member of Latino Midwest Video Collective, Laboratorio Cartodigital, and the collective Afroyucatecxs. A prominent artist from the Mariel Generation, he is the author of Aestesis Decolonial Transmoderna Latinx_MX, FONCA- Instituto Kanankil A.C., 2019; editor of the anthology Andar Erotico Decolonial, Ediciones del Signo, Buenos Aires, Argentina. His writings have appeared in Latino Book Review Magazine, 2022; Aztlán: Journal of Chicano Studies, Vol. 44, No. 2, Chicano Studies Research Center, UCLA, Los Angeles, California; Sisters in the Life: A History of African American Lesbian Media-Making, Duke University Press, Durham, North Carolina; Caribbean InTransit, No 4, Virginia, USA; Social Text Journal / Periscope, New York; Artecubano, Vol.3-4, Havana, Cuba; Bienal de La Habana Para leer, Universitat De Valencia, Spain; Public No. 41, Toronto, Canada; Inter, Art Actuael, No 102, Québec, Canada; Vídeo en Latinoamerica. Una visión crítica, Editorial Brumaria, Madrid; Felix: A Journal of Media Arts and Communication, New York; the Mexican literary magazine Navegaciones Zur, and the electronic publication Net Art Review. Co-Executive Director of Howard University’s Gallery of Ar,t Ferrera-Balanquet has organized numerous art, video and new media exhibitions, Among them are Arte Nuevo InteractivA (2001-2014), Merida, Mexico; Africana Hemispheric Performance, Actions, Socially Public Participations, Rituals, and Ceremonies, Center for Afrofuturist Studies, Iowa City, Iowa, USA; Indigeneity | Decoloniality | @rt, Jameson Gallery, Duke University, Durham, North Carolina, USA; Videos That Unmask, Test and Invade the Colonial System, Program I, Video In, Vancouver B.C., Canada, 1992; Nuevo Cine Latinoamericano in Iowa II, International Festival and Conference, University of Iowa, Iowa City, Iowa, 1986. In addition to a Fulbright Fellowship, Ferrera-Balanquet has been awarded grants from Critical Mind, FONCA, Foundation for Contemporary Arts, Tinker Foundation /Andrew W. Mellon Foundation Research Grant, Prince Claus Foundation, FOECAY, US/Mexico Cultural Fund, The Australian Network of Art and Technology, the National Endowment for the Arts and The Lyn Blumenthal Video Foundation. CONTENTS: Territorios otros en desafío -- Estrategias decoloniales: sentipensar, desligarse y hacer creativo -- U ts'aak u'uy = La sanación de la vida sensitiva -- Tejidos de memorias relacionales -- Elizabeth Catlett: afro latinx americanx transfronteriza -- Interactividad social, performance y acción participativa -- Variaciones lumínicas en la fotografía contemporánea meXicanx_latinx -- Mediascape transnacional meXicanx_latinx -- El futuro postecnológico meXicanx_latinx comenzó ayer -- Ulises I: entrevista a Juan José Díaz Infante -- Migración transnacional y la imaginación nómada -- Hacer creativo en la frontera zur -- Arte nuevo interactivA: Bienal Mérida_MX.

Price: $59.00